On Friday, September 4, at 8 p.m., the Contemporary Art Centre (CAC) invites you to Némo Flouret’s performance 900 Satellites which will take place in the CAC parking lot (entrance at the corner of Dysnos and Mėsinių streets). The event marks the launch in Lithuania of the public programme of the international project “Perform Inform Transform – Participatory Performance in Art Museums” (PIT), which aims to increase recognition and dissemination of performance art. Over this year and the next, performances by five artists are planned to be presented in Lithuania.

“Némo Flouret’s 900 Satellites is a site-specific choreographic performance conceived as an extension of the collective work 900 Something Days Spent in the XXth Century. Created in 2021, 900 Something Days departs from Aurélien Bellanger’s novel Eurodance, a 2018 philosophical manifesto that positions the 1990s club scene as the last unifying cultural movement to spread seamlessly across the entire European continent, marking the European ideal of endless peace and freedom of movement. 

At the heart of 900 Something Days is the turn of the millennium — a moment just before the choreographer was born, when the ideals of a borderless Europe took physical form in large-scale urban infrastructure. Bellanger traces how that Euro-optimism curdled, leaving behind a built environment that turned cities into nodes of a “continental machine” — no longer symbols of unity, but mechanisms of transit, control, and exclusion. Némo’s choreography reengages these leftover spaces by building a bodily language of its own: a “highway dance for industrial ruins,” in which the dancers’ collective, ever-accelerating movement both embodies these infrastructural conditions and resists them.

900 Satellites extends Némo’s choreographic and conceptual experiment while opening it to a site-responsive, open-ended format. Developed collectively with a group of dancers, the piece takes the set of movements from its predecessor and adapts them to each performance site and audience, so that countless variations of the work become possible. 

For the European project “Perform Inform Transform: Participatory Performance in Art Museums (PIT),” Némo Flouret transformed Bozar’s Hall Horta and Triennale Milano Teatro’s Central Hall into spaces for choreographed movement, and the piece is now presented in the car park of CAC Vilnius. 

Vilnius is the closest geographic point to the EU’s eastern border where 900 Satellites is to be shown thus far. At the outset, the stage of the car park returns the work to its origins – created for the industrial building in Brussels, it is once again restaged in a residual urban site. The performance highlights the evident reality of what it actually means to move in Europe today.”

— Aistė Liuka Jonynaitė

The performance is free and open to everyone, with space available for up to 150 spectators in the CAC parking lot. Admission is on a first-come, first-served basis.

The performance will be accompanied by a choreographer’s talk about the work on September 5th at 4:00 PM, together with curator Aistė Liuka Jonynaitė, at the French Cultural Institute, Didžioji g. 1, Vilnius.

NÉMO FLOURET – dancer and choreographer trained at the Conservatoire national supérieur of Paris and P.A.R.T.S., who works at the crossroads of disciplines, gathering groups of artists together in a multiplicity of spaces. From post-industrial relics with 900 Something Days Spent in the XXth Century (2021) to outdoor and theater stage with the group work Derniers Feux (2025) to Antti Lovag’s utopian architecture with Dance Parc (2024) or Forêt (2022), a performance co-created with Anne Teresa De Keersmaeker as part of the Festival d’Automne for the Denon wing of the Musée du Louvre, Flouret’s work questions how people and space converse through choreography and performance.

Némo Flouret’s projects have been presented in various contexts and festivals such as Festival d’Avignon  à Paris (FR), Seoul Performing Art Festival (KR), Berlin Tanz Im August (DE), Bozar Brussels (BE), Tai Kwun-Hong Kong (HK), Watermill Center (US), La Ménagerie de Verre (FR), amongst many others.

‘Perform Inform Transform: Participatory Performance in Art Museums’, or PIT, is a multi-year European initiative that aims to strengthen the recognition and dissemination of performance art. By proposing new paradigms of participatory and intergenerational engagement, performances can nurture and deepen relationships between citizens, museums, and art institutions across Europe.

At the same time, the production, circulation, and presentation of performance works raise a range of ethical, environmental, technical and artistic challenges. Through newly commissioned performances, professional workshops, research activities, film screenings, and discussions taking place across six European countries, PIT provides a platform to reflect on these questions and propose innovative ways to engage and activate our bodies within museum spaces. 

The project has received a three-year grant from the EU Creative Europe Programme under the ‘Cooperation Project’ strand. Its primary partners are the Bozar Centre for Fine Arts of Brussels (Belgium), Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean (Luxembourg), Contemporary Art Centre (Lithuania), Serralves Foundation (Portugal), TEA Tenerife Espacio de las Artes (Spain), and Triennale Milano Teatro (Italy).