Documentary practices make up one of the most significant and complex tendencies within art during the last two decades. This anthology seeks to overcome the existing dispersion of texts on documentary practices and offer new perspectives on this crucial theme. Authors include T.J. Demos, Okwui Enwezor, Carles Guerra, Jorg Heiser, Stefan Jonsson, Olivier Lugon, Jean-Pierre Rehm, Hito Steyerl, and Jan Verwoert. They discuss issues such as what the function of documentary art forms is in the context of globalizing media and an expanding art world. How do the operations of documentary forms change in the age of digital reproduction? Being part of the research project ‘The Greenroom: Reconsidering the Documentary and Contemporary Art’ at the Center for Curatorial Studies, Bard College, this publication functions similar to a greenroom at a television station, where staff and guests meet before and after filming and engage in discussions which often differ from those conducted in the limelight.